E-011.21
SPRAY ENAMEL, ADHESIVES ON RAW CANVAS.
40×50 CM / 15.78×19.68 IN
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2021-011.CNV
E-007.21
ACRYLIC PAINT AND SPRAY PAINT ON RECYCLED COTTON CLOTH.
40×50 CM / 15.78×19.68 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2021-007.CNV
E-004.21
RECYCLED BITUMEN PAINT AND SPRAY PAINT ON CANVAS.
115×150 CM / 45.27×59.05 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2021-004.CNV
E-001.21
ACRYLIC, SPRAY PAINT AND RECYCLED BITUMEN PAINT ON CANVAS.
120×170 CM / 47.24×66.92 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2021-001.CNV
E-049.20 (I AM READY FOR SUMMER)
MIXED MEDIA ON CANVAS
40×50 CM / 15.78×19.68 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-049.CNV
E-032.20 ED
Mixed media on used canvas.
120×170 CM / 47.24×66.92 IN
NOT AVAILABLE
ARTIST CATALOGUE REF. EMC.2020-032.CNV
E-031.20 EDV3
MIXED MEDIA ON RECYCLED CANVAS. WOOD.
50×70 CM / 19.68×27.55 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-031.CNV
E-047.20
EXPIRED PAINT AND RECYCLED CLOTH ON CANVAS
115×150 CM / 45.27×59.05 IN
NOT AVAILABLE
ARTIST CATALOGUE REF. EMC.2020-047.CNV
E-045.20
ENAMEL ON 300 G/M2 100% COTTON ARCHES PAPER.
EMBRACE ERROR FOR AN OPTIMAL LIFE.
21×29,7 CM / 8.27×11.69 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-045.PPR
E-044.20
MIXED MEDIA ON DISCARDED WHITE POLYETHYLENE SHEET FOUND IN A DRY DOCK MARINE FACILITIES.
80×100 CM / 31.49×39.37 IN
GIVING DISCARDED MATERIALS A NEW LIFE.
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-044.PLY
E-042.20
ENAMEL, SPRAY PAINT, BITUMEN PAINT AND GLUE ON DISCARDED WHITE POLYETHYLENE SHEET FOUND IN A DRY DOCK MARINE FACILITIES.
GIVING DISCARDED MATERIALS A NEW LIFE.
140×190 CM / 55.11×74.80 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-042.PLY
E-041.20
ACRYLIC, SPRAY PAINT, PAPER, GLUE, OIL ON FOUND BLACK MAT RUBBER SHEET.
50 x 80 cm / 19.68 x 31.49 in
ARTIST CATALOGUE REF. EMC.2020-041.RBB
E-040.20
SPRAY PAINT AND RECYCLED BITUMEN PAINT ON CANVAS.
PAINTED WITH A PIECE OF CARDBOARD THAT BECAME PART FOR THE ARTWORK.
80×100 CM / 31.49×39.37 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-040.CNV
E-027.20 ED
ENAMEL, SPRAY PAINT, BURLAP, AND GLUE ON CANVAS. WOOD.
50×65 CM / 19.68×25.59 IN
[SOLD]
ARTIST CATALOGUE REF. EMC.2020-027.CNV
E-039.20
SPRAY PAINT AND RECYCLED BITUMEN PAINT ON CANVAS.
PAINTED WITH A PIECE OF CARDBOARD THAT BECAME PART FOR THE ARTWORK.
180×140 CM / 70.86×55.11 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-039.CNV
E-034.20
SPRAY PAINT ON JET BLACK PAPERBOARD
70 x 100 CM
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-034.PPR
E-038.20
SPRAY PAINT, MARBLE POWDER, KAOLIN, DIRT AND GLUE ON CANVAS, WOOD.
120 x 170 CM / 47.24 x 66.92 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-038.CNV
E-021.20
SPRAY PAINT, ENAMEL AND PAPER ON FOUND BLACK POLYETHYLENE SHEET.
GIVING FOUND MATERIALS A NEW LIFE.
140×195 CM / 55.11×76.77 IN
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-021.PLY
E-002.20 (ed)
ENAMEL, SPRAY PAINT, OIL BAR, PENCIL ON COTTON BED SHEET.
105×210 CM / 50×82.67 IN
[SOLD]
ARTIST CATALOGUE REF. EMC.2020-002.CTT
E-020.20 (1)
ENAMEL, SPRAY PAINT ON FOUND PLASTIC BAG. MOUNTED ON PLYWOOD.
The Beauty of error and emptiness. Blank, silence.
82×102 CM / 32.28×40.15 IN
NOT AVAILABLE
ARTIST CATALOGUE REF. EMC.2020-020-1.PLY
E-020.20 (2)
ENAMEL, SPRAY PAINT ON FOUND PLASTIC BAG. MOUNTED ON PLYWOOD.
The Beauty of error and emptiness. Blank, silence.
82×102 CM / 32.28×40.15 IN
NOT AVAILABLE
ARTIST CATALOGUE REF. EMC.2020-020-2.PLY
E-013.20
Acrylic and gesso on self-made paper —out of recycled paper used for notes and sketches— a bit of turmeric was added for color.
E-009.20
Acrylic and marble powder on paper from 1995.
This piece relies on the qualities of old materials to give them new life with minimal use of new elements.
30×42 cm / 11.81×16.53 in
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-009.PPR
E-008.20
Acrylic and marble powder on paper from 1995.
This piece relies on the qualities of old materials to give them new life with minimal use of new elements.
30×42 cm / 11.81×16.53 in
HAND-SIGNED BY ARTIST ON THE REVERSE.
AVAILABLE ARTWORK.
ARTIST CATALOGUE REF. EMC.2020-008.PPR
E-007.20
Acrylic, spray paint, gesso on old Costa Rican 100 gr paper.
30×40 cm / 11.81×15.74 in
HAND-SIGNED BY ARTIST ON THE REVERSE.
ARTIST CATALOGUE REF. EMC.2020-007.PPR
E-006.20
Acrylic, spray paint, gesso on old Costa Rican 100 gr paper.
40×30 cm / 15.74×11.81 in
HAND-SIGNED BY ARTIST ON THE REVERSE.
ARTIST CATALOGUE REF. EMC.2020-006.PPR
E-001.20
INSTALLATION
ORGANIC FLOUR MIXED WITH SEAWATER ON BLACK ROCKY WALL.
ARTIST CATALOGUE REF. EMC.2020-001.INS
E-001.20
INSTALLATION
ORGANIC FLOUR MIXED WITH SEAWATER ON BLACK ROCKY WALL
ARTIST CATALOGUE REF. EMC.2020-001.INS
E-001.20
INSTALLATION
ORGANIC FLOUR MIXED WITH SEAWATER ON BLACK ROCKY WALL
ARTIST CATALOGUE REF. EMC.2020-001.INS
E-001.20
INSTALLATION
ORGANIC FLOUR MIXED WITH SEAWATER ON BLACK ROCKY WALL
ARTIST CATALOGUE REF. EMC.2020-001.INS
Vladimir, 2015. Costa Rica
Dried rachis (from a palm tree leaf), cement and cement block.
[SOLD]
ARTIST CATALOGUE REF. EMC.2015-001.SCL
Water from the Mediterranean Sea in Stamford, 2014 (USA)
-Me: “More than a piece or an object Water from the Mediterranean Sea in Stamford is a live process. A small water sample from the Mediterranean Sea will be sent to Connecticut, where it will transform from Barcelona seawater into Stamford vapor, and inevitably, into humidity. Once inhaled by the exhibition visitors, it will circulate throughout the exhibition space, contributing to the generation of condensation and enabling the formation of clouds in the upper layers of the atmosphere.”
This project was part of “It Narratives: The Movement of Objects as Information” exhibited at Franklin Street Works. Curated by Brian Droitcour and Zanna Gilbert.
UNTITLED ROOM, 2018
ARTIST CATALOGUE REF. EMC.2018-001.VID
E-001.17 NADA
Film photography
Creations which meanings lies precisely in the absence of meaning. Everything is in the will of those who receive visual communication leaving the viewer with complete freedom of interpretation. Nothing real can be threatened. Nothing unreal exists. Inkjet print on paper.
145×95 cm / 57.08×37.40 in.
ARTIST CATALOGUE REF. EMC.2017-001-1.PPR
E.001.17 NADA
Film photography
Creations which meanings lies precisely in the absence of meaning. Everything is in the will of those who receive visual communication leaving the viewer with complete freedom of interpretation. Nothing real can be threatened. Nothing unreal exists. Inkjet print on paper.
95×145 cm / 37.40×57.08 in.
ARTIST CATALOGUE REF. EMC.2017-001-2.PPR
E-001.17 NADA
Film photography
Creations which meanings lies precisely in the absence of meaning. Everything is in the will of those who receive visual communication leaving the viewer with complete freedom of interpretation. Nothing real can be threatened. Nothing unreal exists. Inkjet print on paper. 145×95 cm / 57.08×37.40 in.
ARTIST CATALOGUE REF. EMC.2017-001-3.PPR
(M-A), 2017
Antarctic Biennale
On the coast of Antarctica (facing the ocean) the sound of the Mediterranean Sea waves will be heard via live streaming technology
This sound installation seeks to evoke the idea of relocation, intrinsic in the water, fomented by the hydrological cycle which and through the processes involved, water is distributed over the earth’s surface displacing the liquid to diverse geographic points different from the initial and thus continuously. Water does not belong to any one territory.
Watch video here
E-010.17 (bis)
ACRYLIC, CONCRETE, OIL, GLUE ON POLYETHYLENE
115X150 CM / 45×59 in
Video Stereopticon Slides (digital version), 2016
ARTIST CATALOGUE REF. EMC.2017-001.VID
E-004.17 [sound of a strong movement of water in one direction], 2017
This artwork explores the gap between what is perceived and what is interpreted.
Through written descriptive sentences, and without any audible or vibrational stimulation, this project invites you to imagine the sound of water in different contexts.
Digital print on PVC 350×245 cm.
ARTIST CATALOGUE REF. EMC.2017-001.PVC
SICCUS, 2016
This is a short video that magnifies a photograph of mud cracks (sedimentary structures formed as muddy sediment dries and contracts due to a reduction in water content). Through abstraction and corruption of the image, the terrain surface acquires another scale. SICCUS visualizes the notion that spaces can merge.
The questions that arise from the dialogue are: What is the role of perception in our lives? Do we see things as they really are?
ARTIST CATALOGUE REF. EMC.2016-002.VID
Untitled (Car Sun Shade), 2014
“Comfort Zone” at La Escocesa. Exhibition curated by Michael Swaney.
ARTIST CATALOGUE REF. EMC.2014-001.PLY
UNTITLED (BLACK WATER II) REFLECTION, 2015
Reflection of light depends on the nature of the interface and the origin of the incident ray.
Light may be absorbed by the material, light may be transmitted through to the other side, or light may be reflected back.
ARTIST CATALOGUE REF. EMC.2015-001.VID
E-028.15
ACRYLIC ON PAPER
100 G/M2 23X30 CM
[SOLD]
ARTIST CATALOGUE REF. EMC.2016-028.PPR
When the water meets the stone brick, 2014 (Los Angeles)
ARTIST CATALOGUE REF. EMC.2014-001.PPR
Untitled Water, 2014
ARTIST CATALOGUE REF. EMC.2014-003.VID
(Bio), 2014. 500letters.org generated a biography for me.
I did some changes though.
ARTIST CATALOGUE REF. EMC.2014-001.DGT
SAND TECH (IOS), 2013 (Costa Rica)
During 2013, I spent some time chasing after runners on the beach in order to take pictures of their footprints; the various impressions left in the sand where the technology of running shoes had been revealed.
Granted, these sand impressions do not have credits and if you don’t happen to be right there and then when they are created, they may go unnoticed. The intention and the energy that has been used in their creation is unknown.
ARTIST CATALOGUE REF. EMC.2013-001.PTH
SAND TECH (IOS), 2013 (Costa Rica)
ARTIST CATALOGUE REF. EMC.2013-001.PTH
